Black bands run through grey and brown, then open onto a pale, crystalline centre. That is the face of each bookend, cut and polished flat. The edge and the back are left raw, with the stone’s own tan rind still showing, so you can see where it began.
Set one at each end of a short row of books, or beside a single stack on a desk. Hard stone against paper and wood is the contrast: the polished face catches the light, and the raw back stays quiet against the wall. No two are cut the same way.
